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There is more than one artist with this name: AFI (A Fire Inside) is an American rock band from Ukiah, CA that formed in 1991. Their career progression has taken them through notable and drastic changes in music styles from hardcore punk, to horror punk and then, most recently, alternative rock with pop and electronic influences.
While in high school in Ukiah, California, David Marchand aka Davey Havok (vocals), Mark Stopholese (guitar) and Vic Chalker (bass) formed an outfit called AFI in 1991. Stopholese suggested his friend Adam Carson, who had a drum kit, join the band.
Stopholese learned guitar and Chalker learned bass, but Chalker was soon replaced by Geoff Kresge and AFI made their first EP in recording Dork (1992) with the now defunct Loose Change, which included future AFI guitarist Jade Puget. AFI disbanded when its members attended different colleges. Kresge moved to New Jersey where he played with Blanks 77.
After reuniting to perform a live show, the other members decided to drop out of college to play full-time with AFI. Between 1993 and 1995 they released several vinyl EPs/Compilations (Behind the Times; Eddie Picnic’s All Wet; Fly in the Ointment; This Is Berkeley, Not West Bay; AFI/Heckle; Bombing the Bay) independently. Their first full-length, Answer That and Stay Fashionable was released in 1995.
In 1996, the band released their second album, Very Proud of Ya, on Nitro Records. The songs “Cruise Control” and “Love Is a Many Splendored Thing” from Very Proud of Ya were used in the 1996 independent film Mary Jane’s Not a Virgin Anymore, which was first screened in 1997 and also featured Havok in a small role.
Capleton Reign Of Fire Zipping. After several tours in support of the album Very Proud of Ya, Kresge decided to leave the group. Kresge’s later activities included the formation of Dead Body Records, playing stand-up bass in Tiger Army, a stint playing guitar for psychobilly band the Horrorpops and his current venture Rockabilly band Viva Hate, he also returned to Tiger Army. Kresge’s spot was filled by Hunter Burgan for the remaining Very Proud of Ya tour dates. Burgan went on to help AFI record Shut Your Mouth and Open Your Eyes (1997) and was invited to become the full-time bassist.
Future AFI guitarist Jade Puget also provided background vocals on Shut Your Mouth and Open Your Eyes, making it the first album to feature all four current members of the band. After recording their A Fire Inside EP (1998), Stopholese left the band and was replaced by Jade Puget, his close friend. Following the A Fire Inside EP, the band recorded Black Sails in the Sunset (1999), a musical turning point which introduced AFI fans to a much darker sound. On this album, their original hardcore roots were still the base of their sound, but with Dark Romantic influences (a poem by Charles Baudelaire, “De Profundis Clamavi,” is present in the hidden track “Midnight Sun”). The All Hallows EP (1999) spawned the single “Totalimmortal”, a track later covered by Nitro’s founding band, The Offspring, for the Me, Myself and Irene soundtrack.
It received a fair amount of radio play and exposed AFI to larger audiences. Dexter Holland, frontman for The Offspring, was featured as a backing vocalist on a number of Black Sails In The Sunset tracks. In 2000, AFI released The Art of Drowning, which debuted on the Billboard Charts at number 174. “The Days of the Phoenix” was released as a single and video in order to promote the album. “The Days of the Phoenix”, like “Totalimmortal”, had some moderate mainstream success, garnering the band both TV and radio airplay. In 2002, AFI left Nitro Records and released Sing the Sorrow (2003) on DreamWorks Records. The songs Girl’s Not Grey, The Leaving Song Pt.
2, and Silver and Cold had some Billboard chart success and exposed the band to even larger audiences. They were nominated in the MTV Video Music Awards 2003 in the MTV2 award category for the video “Girl’s Not Grey”, which came to be the first VMA they won. On June 6, 2006 Decemberunderground was released on Interscope Records. Reviewers have noted an even progression in sound for AFI in this album, featuring ColdPop and New Wave elements.