Zylinderstift Iso 8734 Material. Contents • • • • • • Sociomusicological issues [ ] The work of scholars in sociomusicology is often similar to in terms of its exploration of the sociocultural context of music; however, sociomusicology maintains less of an emphasis on ethnic and national identity, and is not limited to ethnographic methods. Rather, sociomusicologists use a wide range of and take a strong interest in observable behavior and musical interactions within the constraints of.

Sociomusicologists are more likely than ethnomusicologists to make use of surveys and economic data, for example, and tend to focus on musical practices in contemporary industrialized societies, for instance, Ko (2011) proposed the hypothesis of 'Biliterate and Trimusical' in Hong Kong sociomusicology (cf. An analysis of sociomusicology, its issues; and the music and society in Hong Kong. Hong Kong: Ko Ka Shing, this book has been selected for inclusion in the Association for Chinese Music Research Bibliography in 2012, see.) Since the field of musicology has tended to emphasize and analytical/critical rather than sociological approaches to, sociomusicology is still regarded as somewhat outside the mainstream of musicology. Yet, with the increased popularity of in recent decades (with which the field shares many similarities), as well as the development and mainstreaming of ' (coinciding with the emergence of interdisciplinary in academia), sociomusicology is increasingly coming into its own as a fully established field.The values and meanings associated with music are collectively constructed by both music listeners and performers. When listening to a piece, they reflect upon their own values and use the music to make connections between their own experiences and what the piece is perceived as communicating, the sociology of music looks specifically at these connections and the musical experiences tied to the person and the music itself.

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Among the most notable classical sociologists to examine the social aspects and effects of music were (1858–1918), (1899–1959), (1864–1920) and (1903–1969). Others have included, (1886–1979),,,,, John Mueller (1895–1965), and. Contemporary sociomusicologists include, Georgina Born,, Peter Martin, Timothy Dowd and Joseph Schloss.